Tuesday, 27 September 2016

Unit 15

Unit 15
Obtain, Prepare and Return Camera Equipment

15.1 Be able to obtain camera equipment

1.1 Identify the equipment requirements from the production brief

For this specific production the equipment requirements are as listed below;
·         X3 DSLR cameras (with filming feature)
·         X3 Tripods
·         X1 Spotlight
·         X1 Soft box light
·         X1 Chair
·         X4 SD cards
·         X3 Camera batteries
·         X1 Zoom mic
·         X1 Mic stand
·         X2 AA batteries

This production was for a short film surrounding CSE and is a project given to DCAS by Derbyshire County Council. It was my job as well as other participants to think about what the film would look like. However the final say was down to me. In the end I chose to use the main stage at DCAS as our main location for the story. As we wanted the actor to be lit up we knew we needed to provide light to which we could manipulate to get the correct and suitable image. The equipment above is all that was needed for this days shoot.

1.2 Specify all requirements for the protection of equipment or stock in transit

The protection of the equipment is listed below;

Cameras – All of our cameras at DCAS are kept safe and secure in a padded sectioned camera bag occupied by other related equipment such as camera batteries, SD cards, lenses, USB cables and battery chargers. This equipment is stored like this to avoid anything going missing, to maintain organisation, and to protect the camera equipment from being damaged.



Tripods – The tripods are less likely to break or get damaged so they have less protection, however still have some. The tripods are kept in a tripod bag with a handle of for safe and easy transportation.

Lighting – As the lighting equipment is quite heavy and dangerous in terms of sharp edges we have a large suitcase shaped especially for lighting. This also contains padded materialised sections so that no damage is done to the equipment itself and the user.

SD cards – The SD cards have small plastic covers so that there is a lower risk of the cards getting lost, another safety measure we do for the cards is keep them all together in a zipped secured bag.

Zoom Mic- As this piece of equipment is especially used to record audio and to maintain quality of this piece of equipment it is also stored in a plastic casing, this is to ensure it is not damaged during transportation.  This also comes with a sponge covering which is placed over the mic itself.


1.3 Produce legible paperwork which clearly states all requirements

When preparing for a day’s filming I will produce all of the necessary paperwork. It is extremely important to complete a call sheet before shoot as it has all the information on for the filming day such as contact details, who will be attending, location details, schedule and any requirements. It is important that everyone involved has the same amount of information so that no one is left outside of the loop.
Below is a Call Sheet I produced for a short film surrounding CSE;



1.4 Place orders to allow deliveries in time to meet shooting schedules as required

For this production in particular there were no deliveries to be made so that meant there were also no orders to place. However, if this was to be something we needed to consider during a production then there are ways in which it could be done. For example if I ordered a white backdrop offline and there was a specific day it needed to be delivered for then when ordering offline you can often request for a tracked delivery which means when the order is placed you receive a code that you type into the providers or deliver’s website and this will track your item and let you know what stage your parcel is at. This information will provide you with the parcels progress and let you know the date and time (roughly) your order will be delivered.





1.5 Organise collection or delivery time at an agreed time and place.

Again, like explained in 1.4 organising the date, time and place is all given when placing your order through the organisation you’re buying from. Organising requirements such as collection or specific times and places for delivery is often done through the phone.



15.2 Be able to prepare camera equipment for use

2.1 Label items accurately and legibly as required to enable identification

In our Multi-media suite at DCAS we have a cupboard where all the camera equipment is kept safe and secured by a lock. Within this cupboard you can clearly see shelves which provide different equipment such as music related items, camera equipment, and other media related items. All the camera equipment is in the same space so it maintains organisation throughout the workers and centre itself. In each camera bag you will also find battery chargers and camera batteries and all these are also labelled so that they are easily identifiable.



2.2 Check that the equipment supplied matches document requirements, seeking solutions if necessary.

This is quite straight forward in terms of providing the correct and required equipment for the production. Whoever has the responsibility of gathering the equipment then they will look at the production equipment requirements and choose items appropriately to match the needs of the production. For example if on the requirements sheet it asks for a DSLR camera than that doesn’t really suggest which one, in this case it will be down to the crew member to decide which would be most appropriate for the job. If there becomes a problem where the equipment required is not accessible then a solution such as replacements or compromised equipment needs to be considered.

2.3 Test equipment on delivery

Testing equipment is very important as it can sometimes be the thing that keeps the whole production together, for example if the production was all based around gathering good quality footage and then find out on set that the camera equipment doesn’t work or is damaged then that could affect the whole production. To test the camera equipment it is best to start with testing if the batteries work by turning on the camera. Then looking at the quality of footage you can get through the camera by testing it out on set, it is also handy to carry a cleaning kit for your lenses and sensor as this could be the reason the picture quality isn’t at its best.






2.4 Make accurate reports of any loss or damage, passing them on to relevant parties.

If something is claimed to be missing or damaged there isn’t any documentation in place that we fill out however, our receptionist, cleaner and manager are all alerted as soon as a report has been made. A full description of the item is taken and if this item is handed in or someone finds this then the owner will be noted ( if we have the details) if not we ask anyone who comes to try and claim the item to give a full description of what it is.
We also have a policy in place that anyone who enters the building is responsible for their personal belongings and we do not take any responsibility for lost or damaged items and this is stated all over the main areas of our building.

2.5 Use safe lifting and handling methods

When lifting and handling equipment it is essential that Health and Safety guidelines are followed, especially if there is heavy equipment to be carried it is important that it is handled and carried in the correct way to avoid any injuries to yourself or another member of the team. It is important that you follow specific instructions, lift with the knees not with the back, and to also never lift something that you don't feel capable of doing alone.






2.6 Store items safely, ensuring they are readily available for use.

There is no set way as to how to pack your equipment although there are tips on how it can be managed so that it can be transported in the safest way. For example it is useful to have the correct equipment in each camera bag. The materials needed for a day’s shoot could consist of a camera, battery pack, SD card, USB lead, camera strap and a selection of lenses so it is important to check that these are available to you before going out. Particular camera bags have dividers inside the bag and this is to separate all your equipment appropriately and it can also reduce the chances of the equipment being damaged during transportation.



15.3 Be able to return camera equipment

3.1 Use suitable travelling cases and packaging materials

As stated in 2.6 keeping your equipment in safe packaging materials is very important as it decreases the risk of damaging the equipment, I also go into a bit more detail about specific items in section 1.2 of this blog. Please find information to this answer in these sections.

3.2 Pack items to meet weight and other safety regulations

When packing your items into a transit or transporting vehicle in a correct and safe manner, making sure when packing heavy equipment it is stored first, this is to allow the more sensitive items to be placed on top rather than at the bottom with a chance of getting damaged.

3.3 Identify any equipment that is liable to affect the recording medium

There are many pieces of equipment that could affect the recording medium. When using a memory card it is important to keep it away from any magnetic materials as this could wipe the card which could result in losing all the footage, this would mean that a day would have been wasted and it would cost the company more time and money to re-do. It is a good idea to also keep equipment away from heat and direct sun as this could cause the equipment to over-heat which could damage it and make it unusable in the future.


3.4 Label and record the content of each travelling case legibly, conforming to any regulatory requirements.  

During preparation for a shoot I will record each piece of equipment to ensure that we have everything we need. I use a kit list to check and tick all the necessary equipment that we need for the shoot. When using hired equipment I will compile a list for all the different parts so that at the end of shooting I can tick off the list so that we don’t forget anything.
I will also record which car/transit the equipment is in and who is responsible for the safety of specific equipment.

3.5 Check the equipment being returned, signing for it against a copy of the delivery documentation.

Usually when DCAS are set out to do a production we use all of our own equipment from the centre and very rarely hire out or borrow equipment elsewhere so there would be no documentation for me to fill out. However we always, as a team take pride in our equipment and treat it with a lot of respect in terms of locking after the quality of each item. So it is extremely important to us to check that all equipment is brought back to the centre in one piece and with all the correct attachments.  
3.6 Notify all relevant parties when documentation is complete and ready to travel.
When working within a big team on a large production it is important that every team member is kept in the loop. This will increase team work skills and communication skills amongst the team and it also lets everyone know that the production is on track. This can then give other team members a heads up that the production is on schedule and look at tasks to do next.

3.7 Return the equipment promptly to avoid incurring extra costs


As I said DCAS use all of their own equipment when working on a project or production so we are not under any pressure to return the equipment in a particular time frame unless of course another member of staff needs the equipment for another project. However if this wasn’t the case and we did need to return the equipment promptly we would still do it carefully and safely to avoid any damage caused by rushing and careless handling. 

Thursday, 17 March 2016

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Hi. Thank you for visiting my blog, I am currently working towards a Level 3 NVQ qualification in Music Production and Marketing at Chesterfield College based at DCAS. 

Throughout my page you will discover some of the units I am currently studying and professional projects I am working on.